translation missing: en.collections.general.collection_label: AKADEMIE® Oil Color
Indigo
No. 410
Extremely Lightfast & Semi-Opaque.
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Prussian Blue
No. 412
Good Lightfastness & Semi-Transparent
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Ruby
No. 310
Good Lightfastness and Semi-Opaque.
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Indian Yellow
No. 224
Extremely Lightfast & Semi-Transparent.
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Ivory
No. 200
Extremely Lightfast & Opaque.
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Lamp Black
No. 704
Extremely Lightfast & Opaque
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Burnt Umber
No. 612
Extremely Lightfast and Opaque.
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Burnt Sienna
No. 608
Extremley Lightfast & Opaque.
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Sienna
No. 606
Extremely Lightfast & Semi-Opaque.
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Yellow Ochre
No. 602
Extremely Lightfast & Opaque.
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Sap Green
No. 506
Good Lightfastness & Semi-transparent.
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May Green
No. 500
Good Lightfastness & Opaque.
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Ultramarine
No. 406
Good Lightfastness & Transparent.
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Cobalt Blue Hue
No. 404
Extremely Lightfast & Opaque.
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Alizarin Crimson Hue
No. 312
Good Lightfastness & Transparent.
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Cadmium Red Hue
No. 306
Good Lightfastness & Opaque.
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Lemon Yellow
No. 216
Good Lightfastness & Semi-Transparent.
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Titanium White
No. 102
Extremely Lightfast & Opaque.
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Zinc White
No. 100
Extremely Lightfast & Semi-Opaque.
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Fine artists' oil colours
- Maximum lightfastness (4 + 5 stars only)
- Very paste-like and yet supple
- Fast and uniform drying time
- Primary yellow, primary magenta and primary cyan to mix into pure secondary colours
The 20 most popular colours of AKADEMIE® Oil color ensure brilliant results due to the many single-pigment colours, both directly used from the tube and as mixtures. The balanced and educationally practical range offers opaque and transparent colours and, as a particular feature, four different shades of white for different purposes (for mixing with graded brightening and as underpainting white). Natural sunflower oil ensures optimal drying and a smooth consistency.
All AKADEMIE® Oil color shades can be mixed and combined with all other Schmincke oil colours (MUSSINI®, Norma® Professional, College® Oil) and the extensive oil mediums.
Please consider these images as a guide only.